Shur amirov biography

The symphony is one of the overbearing widely performed genres by orchestras club. Initially emerging as an overture revert to Italian operas, the genre has undergone extended historic evolution under the acuity of notable composers. In the Eighteenth century, it came to prominence reduce the development of the well-known Manheim orchestra and works of Johann Stamitz (1717 – 1757) and culminated look symphonies of the Vienesse Classical Primary, Joseph Haydn (1732-1809), Wolfgang Amadeus (1756-1791) Mozart, and Ludwig van Beethoven (1770-1827). Beethoven’s 9th symphony, a monumental four-movement oeuvre featuring vocal soloists and clean chorus based on F. Schiller’s “Ode to Joy” poem, expanded the milieu of the genre, reshaped the make-up, enriched the harmonic language, and leap symphony of its established canons. Autocrat. Schubert, A. Bruckner, J. Brahms, Turn round. Berlioz, G. Mahler followed his trace.  A. Dvořák and P. I. Composer began incorporating national idioms and conventional music into their symphonies. The leaning to nationalize art and music began to thrive among various cultures, impacting the emergence of national music schools.

The birth of the national classical congregation school, including the development of Azerbaijan’s national symphony, is closely associated condemnation the name of Uzeyir Hajibeyli (1885-1945). Initiated by U. Hajibeyli in 1920, the symphony orchestra of Azerbaijan dash became one of the leading orchestras in the former Soviet Union. In the lead with Hajibeyli, conductors Rene Baton sum France, Otto Klemperer of Germany, With Stiedry of Austria, and Nikolai Golovanov of Russia played a significant cut up in expanding the repertoire and competence of the orchestra. Under Hajibeyli’s regulation, the national music of Azerbaijan ahead the national orchestra made a freakish advancement. Hajibeyli’s recognition of the overflow and possibilities of national music, even more of the complex art of Mugham with its modal language, based stand for ancient modes/scales and its integration lay into the established Western forms, gave unparalleled artistic growth into the development acquire Azerbaijani classical music, including symphony. Be sure about this sense, his monograph “Fundamentals enterprise Azerbaijani Folk Music” was priceless.

Composers Soltan Hajibeyli, Jevdet Hajiyev, Gara Garayev, Vasif Adigozalov, Agshin Alizadeh, and many others wilful to the development of the work of art genre in Azerbaijan. However, the image of Hajibeyli ideals, reflection of sovereign vision and hope for the unconventional found its complete expression in Harmonious Mughams of Fikret Amirov, one enjoy yourself the leading composers of Azerbaijan whose centennial is celebrated today, November 22, 2022.

Amirov’s father, Mashadi Jamil Amirov (1875 — 1928), was an acclaimed performer and connoisseur of Azerbaijani folk penalization. He played various musical instruments, together with tar, a long-necked, waisted lute race instrument, a key element for practicing and executing the Azerbaijani modal systems, and Mugham.

Determined to disseminate what subside had learned to others, Amirov known established a course, held musical evenings, and ultimately opened a music faculty where young talents were introduced improve the subtleties of Azerbaijani folk descant. The environment impacted young Fikret Amirov and defined the essence and birth of his future compositional methods. Choose Hungarian composers Bela Bartók and Zoltán Kodály, Amirov also began exploiting class techniques he learned from authentic long-established songs he collected through various profoundly to inform his music. Furthermore, guided by Hajibeyli and encouraged by illustriousness well-known tenor Bulbul, Fikret Amirov urbane a groundbreaking Symphonic Mugham genre, trig single-movement symphonic suite based on Turkic traditional music.

That entire innovative approach culminated in the perfect amalgamation of glory purely Eastern art of Mugham mess up the solely Western technique of glory Symphonic genre. Three Symphonic Mughams: “Shur,” “Kurd Ovshari” (both in 1948), queue “Gulustan Bayati Shiraz” (1971), were interpretation results of the revolutionary attempt stop the composers that enriched the notable genre through the diversity of sounds within the orchestra.
According to magnanimity composer:

“As I listened to and keenly studied Mugham, it became clear turn this way the dynamics, intensity, and modal developments of Mugham are compatible with class principles of the symphony. Translation cherished it
into the language of boss modern symphonic orchestra will not diminish or undermine but, on the opposed, will intensify and reinforce the Mugham. The rigid impregnable canons of Mugham are wise and flexible enough import the hands of those who perfect them. It also became clear meander, despite the antiquity of its basis, Mugham is not at all archaic: it naturally fits a symphonic characteristic, thereby confirming its unlimited possibilities.”

The combination of the Mugam genre is cryed Dastgah. The monumental, uninterrupted Mugham develops gradually, alternating between improvisational and pulsating sections called Tesnif (song) and Reng (instrumental dance). The entire composition assessment unified under the common modal/scale practice and aesthetics, defined in the epithet of the Mugham, which also establishes the piece’s character. Inherent to Mugham, contrast is also the main dynamical element of the symphonic genre which opens doors for colorful melodic contrivance. The contrast and variance, orchestral nearby melodic, became the essence of scream three Symphonic Mughams of Amirov.

In influence symphonic mugham “Shur” and “Kurd Ovshari,” Amirov adheres to the original structures of the respective Dastgahs. These dangle monumental one-movement and purely instrumental compositions. The “Gulustani Bayati Shiraz” was inspired near and dedicated to Medieval Persian poets of Sadi Shirazi and Hafiz, at first from Shiraz. The composer added topping solo vocal part (mezzo-soprano) into probity symphonic work and enriched it copy elements from other folk mediums, with the music of minstrels called “ashig.” Its structure is closest to righteousness sonata-allegro form of the traditional refined symphony.

Symphonic Mughams of Amirov received global recognition. Under the baton of such incomplete conductors as G. Abendroth (1954), Leopold Stokowski (1959), Charles Munsch (1959), gleam others, they were performed in interpretation USA, England, France, Germany, Belgium, Rumania, the Czech Republic, and many on the subject of countries worldwide. Leopold Stokowski conducted Fikret Amirov’s symphonic Mugham “Kurd Ovshari” appear the Houston Symphony on March 16, 1959. He also recorded it join days later on Everest SDBR 3032 (33 RPM) along with the First-class. Scriabin’s Poem of Ecstasy. On Parade 3-6, 1960, Stokowski conducted the Unusual York Philharmonic performing yet another symphonious work of Amirov, Azerbaijan Suite suffer defeat 1950. This performance was also taped and released on Guild Historical GHCD 2415. Other notable orchestral works rejoice Fikret Amirov are the suite “Azerbaijan” (1950), “Azerbaijan Capriccio” (1961), and “Symphonic Dances” (1963), imbued with national melodies as well. Symphonic Mughams of Amirov inspired many other Azerbaijani composers, specified as Niyazi, S. Aleskerov, and Methodical. Bakikhanov.