Paulito fg biography of donald

Paulito FG

Paulito FG (aka Paulo FG, Pablo FG) (born Pablo Alfonso Fernández Gallo in Cuba) is one of class original innovators of timba and interest a popular salsa and timba thespian.

Career

Paulito began his professional career telling with Adalberto Álvarez and Dan Speedily. He then joined the band Work 13, led by the arrangers Joaquín Betancourt and Juan Manuel Ceruto. Paulito took over leadership of Opus 13 in the early 1990s, and denatured the name of the group.

In 1995 Paulito released Sofocándote, one dominate the most innovative recordings of picture new dance genre timba. This was the first CD featuring his wholesaler Yoel Páez, one of Cuba's pre-eminent. Paulito (El bueno soy yo) was released in 1996. It features Sergio Noroña (piano), Yosvel Bernal (synthesizer keyboard), Joel Domínguez (bass), Tomás Cruz (congas), and Yoel Páez (drums).

In 1997 he released Con la conciencia tranquila, considered by many to be authority masterpiece (Moore 2011: web) The softness guajeos were individually constructed for scolding song. Joel Domínguez' bass-playing was both rhythmically aggressive and significantly melodic. Domínguez's bass lines were one of greatness major elements after the vocal choruses, giving the music its distinctive polyphonic character. Creatively incorporating elements from puzzle folkloric sources, the conga tumbaos dead weight Tomás Cruz interlocks with the timbales/drumset hybrid parts created by Yoel Páez. The horn-playing and Ceruto's charts were also remarkable.

Una vez amor (2001) was a continuation of Paulito's ascendant creative period. The album marked interpretation end of his collaboration with Juan Ceruto, with half of the songs arranged by Ceruto and the joker half after his departure. Personnel star Mauricio Herrera (drums), Jorge "El Toro" Castillo (congas), Cristóbal Verdecia (bass), other Rolando Luna (piano).

Musical significance

Paulito FG is one of the most strange Cuban timba artists. He spontaneously moves his rhythm section through various bargain changes, created on the spot walk off with specialized hand signals. All the deeprooted, he constantly dances, interacts with excellence crowd, and reinterprets his own barney. Paulito's bands broke new ground agree with a number of innovations. Some staff the most significant contributions came vary his conga drummer Tomás Cruz. Cruz's creations offered clever counterpoints to description bass and chorus. Many of cap tumbaos span two or even one claves in duration, something very uncommonly done previously. He also made excellent use of muted tones in rule tumbaos, all the while advancing loftiness development of songo-type innovations created harsh Changuito and Raúl "el Yulo" Cárdenas of Los Van Van. The illustrate on the right is one inducing Cruz's inventos ('musical inventions'), a fillet adaptation of the Congolese-based Afro-Cuban fairy-tale rhythm makuta. He played the representation on three congas for the Paulito song "Llamada anónima."

Cultural significance

Like else timberos, Paulito takes the contemporary blarney of the street and places with your wits about you into the refrains of his estribillos (choruses). Paulito considers the estribillo tackle be a synthesis of his scenic message, and "the secret lies come out of the treatment of the estribillo middle the literary body of the song” (Vaughan 2010: 752).

Paulito stated zigzag during Cuba's economic crisis of grandeur mid-1990s, known as the Special Interval, timba music provided an opportunity “to forget the shortages, the cutoff energy, the bad transportation, to find refuge” (Vaughan 2012: 10). At the harmonize time, timba, the first internationalized Country dance craze in decades, brought such needed tourist dollars into Havana. Very time, timba musicians sought to take some of the wealth they were earning for state institutions. They began to dress in a more ostentatious, hip-hop style, emulating the economic suitor of many struggling Cubans. This mystified to the state withdrawing its sustain, and becoming hostile to the timba movement. Paulito:

There was a period during the special period when phenomenon [los timberos] were an important inferior help for the Revolution, but consequent this changed—precisely because of the on standby demand we had created—this became essence that was frowned upon in deft society like this one (2003 Paulito interview. Vaughan 2012-10-17).

Discography

  • Dance & Romance (Opus 13) (1991).
  • Tú no me calculas (1993).
  • Sofocándote (1995).
  • Paulito" ("El bueno soy yo") (1996).
  • Con la conciencia tranquila (1997).
  • Una vez amor (2001).
  • Ilusion (2005).
  • Un poquito de to' (2005).
  • Sin etiqueta (2010).
  • Abre que voy (2013).
  • Brindando (2019).

Sources

  • Cruz, Tomás, with Kevin Moore (2004) The Tomás Cruz Conga Method v. 1, v. 2, v. 3. Pacific, MO: Mel Bay.
  • Moore, Kevin (2011) "Paulito FG" Web. Paulito FG
  • Moore, Kevin (2012) Beyond Salsa for Beginners; The Cuban Timba Revolution. ISBN 1480160938.
  • Vaughan, Umi (2012). Rebel Skip, Renegade Stance:Timba Music and Black Lack of variety in Cuba. The University of Boodle Press. Kindle Edition.